April 2008
Guitar Rig 3—a modeling software program of amps, pedals, effects, cabinets, and more—makes recording guitar a lot more interesting, fun, and easy. It can serve as a plug-in for recording, or work standalone for live performance.
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Sounds
Digital Sound Works Dramatic Percussion
April 2008 Hosted by TASCAM’s GVI player, Dramatic Percussion features unusual percussion sounds, often played in unusual ways (like thumb rolls on a concert bass drum).
Sony Six-String Orchestra
April 2008 Riffs, riffs, and more electric guitar rock riffs: Tele, Les Paul, Strat, wa, clean, distorted, chords, single notes . . . your biggest issue will be auditioning them all. These riffs are also quite inspiring; if you’re looking for ...
Serafine Collection Sci-Fi II
April 2008 If you stay until the end of movies, you’ve seen Frank Serafine credited as the sound designer on numerous films. Sci-Fi II isn’t about stereotyped sci-fi soundscapes, but an eclectic sound effects collection—some easily identifiable ...
Sony: Matt Fink—StarVu Session Keys
March 2008 Having reviewed the other three members of Sony’s Artist Integrated series—Tony Franklin (bass), Siggi Baldurson (drums), and Parthenon Huxley (guitar)—we’ll turn our attention to former Prince & the Revolution keyboardist Matt ...
Digital Redux Electrotech
March 2008 For loops, this collection includes construction kits, beats, percussion, arpeggios, and melodies in Acidized, REX2, and Stylus RMX formats; one-shots include drum kit sounds, basses, pad and synth, glitch blips, and FX. REX editing ... Latest Reviews
Native Instruments Guitar Rig 3
April 2008 Guitar Rig 3—a modeling software program of amps, pedals, effects, cabinets, and more—makes recording guitar a lot more interesting, fun, and easy. It can serve as a plug-in for recording, or work standalone for live performance.
Eventide Anthology II
April 2008 Late one night while mastering the tracks that comprise the latest release from The Wagner Logic, I encountered some of the coolest effects I had heard in a while. With my interest piqued, I called the engineer for the album—Mike Nadeau—to ...
Time To Get In Tune
April 2008 Guitarists, how many hours have you lost while recording as you tuned your guitar for the umpteenth time? This month’s theme is tuning, so let’s look at three very different ways to get in tune in the studio. |
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